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For what it’s worth, I think it would still be fascinating; Claire’s quest for her own power has provided the show’s dramatic thrust for a season and a half or so, and her speedy self-insertion into international affairs was in character. But even though adherents to House of Cards may have been considering bailing by now, any show this willing to mess with its own fixed ideas is one worth sticking with. On Scandal, for instance, there was an early attempt on the life of President Grant (Tony Goldwyn) that was actually among the show’s less compelling twists. That was because there seemed no way that a still-growing romantic drama (among the many other things that Scandal is) would kill off its male lead.
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In previewing this season, I noted that the Underwood marriage was under strain and that the project of the narrative was to document its destruction. It actually ended the season stronger than ever with Frank and Claire able to rely only on each other, with them seated together like a royal couple and with your reviewer feeling like a cock-eyed Cassandra. The relationship was certainly in trouble at the beginning and it looked for several episodes as though they were going end as rivals. Something clicked back into place and they found reconciliation. Cathy knows that a full military offensive is unwise, and she also knows it’s just Frank’s way of trying to draw attention away from the revealing article.
Season 4 – House of Cards
Of course, Frank and Claire have a plan, and it’s potentially more sadistic than ever. When Frank stares out the window and says that he’s scared, that they’re in serious trouble now with the election only a few weeks away, Claire responds by completely going for broke. She thinks they need to create absolute chaos. “I’m done trying to win over people’s hearts,” she says, and Frank, who barely has a heart, agrees.
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Back at the White House, Frank has his meeting with Tom. He basically tries to shame him into not publishing the article, calling his quotes conjecture and saying that he has no evidence. Tom is having none of it though, and it’s so nice to see someone with actual facts behind him stand up to Frank. Tom knows he has the Herald and a lot of sources behind him, which puts him in the position of power. Later, Frank tries to strong-arm him some more, but Tom refuses to be swayed. The article will be published with or without a comment from the president.
House of Cards: Season 4 Review
Every temporary ally, confidante and confederate has been mistreated, compromised or otherwise jeopardised that the First Couple genuinely have no one but each other. There was a very telling moment towards the end of this season of House Of Cards. It involved Claire Underwood and a question that, were this real life, would have dogged her campaign to join her husband’s presidential ticket. It came from Hannah Conway who, as the wife of Republican challenger William, might have been better prepared to withstand pointed comparisons with the First Lady. It was a line that was meant to shock, which it did, but only because it broke one of our society’s mild taboos, in which procreation is seen as a universal good and choosing not to, particularly for women, is considered odd. Frank, who still has to pretend otherwise in public, can be even more direct.
House of Cards recap: Chapter 52
House of Cards Recap: The Truth Will Set You Back - Vulture
House of Cards Recap: The Truth Will Set You Back.
Posted: Wed, 09 Mar 2016 08:00:00 GMT [source]
Frank is the one talking, but the woman sitting next to him, Claire Underwood, is also staring right into the lens with the same level of intensity. As Claire, Robin Wright blasts through that invisible divide with just her gaze, marking the first time in the show’s history that anyone other than Kevin Spacey’s Frank has acknowledged the audience’s existence. That, coupled with Frank’s pointed use of the pronoun “we” instead of “I,” confirms that the Underwoods are a unit now. They’re not a politician and his supportive spouse, as they were portrayed early in the series, nor are they a husband and wife on the verge of divorce and battling for political power, as they were when season four began. They have merged into a singular, ruthless force that refuses to be stopped by anything. The attempt on Frank Underwood’s life, undertaken by embittered journalist Lucas Goodwin, is the kind of daring narrative stroke the show had lost during the Underwood presidency.
In exchange, the U.S. will allow Ahmadi and the Ba’athists to return to power in his true home, Iraq… or so Claire says. Chef Aarón Sánchez's new collaboration with PepsiCo, Talking Sabor, is a delicious celebration of Latin cuisine and culture that is sure to leave both your heart and stomach satisfied. The MasterChef judge takes on the role of host in this new series, where he and several special guests visit sixteen different restaurants in the following four... While it’s now impossible to separate Will Smith’s Oscar-winning performance in King Richard from the controversy of him slapping Chris Rock on live TV in 2022, this biopic about Richard Williams is worth a watch. And now that King Richard is streaming on Netflix, you don't even need an Apple TV+ subscription to see it. The Underwoods' single-minded pursuit of power is the story of House Of Cards season 4, which paves the way for a truly exciting season 5...
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Frank orders a speech from Yates and adjusts it to his needs and then sits behind the desk in the Oval Office to address the nation. He lays it on thick, creating a culture of pure terror by saying that the U.S. must respond with full force. It’s a tactic to create chaos and maybe buy the Underwoods some time, and they don’t give a damn who gets hurt or killed along the way.
House of Cards Recap: We Need to Talk About What Happens in Episode 4
But by the time you get up to the assassination attempt on House of Cards, there seems to be a very real possibility that Underwood (played by Kevin Spacey) might die at any moment. The most significant development of this season is that they now admit it and it is here that House Of Cards can become very interesting indeed. We now have the prospect of unrestrained Underwood and a story arc that has shifted from the pursuit of power to the establishment of unrivalled dominance. A world in which the First Couple don’t fight terror, but make it. This makes for a truly exciting Season 5, in which we get to explore what pure power might look like in practice. As poor old Winston Smith is assured, what pure power means, you will understand presently.
Now they’re getting a taste of their own medicine, feeling the terror he and his family feel every day, and he’s not about to become a traitor to his cause. Some compared that scene to the famous “I am the one who knocks” speech from “Breaking Bad,” and the end of season four faintly echoes that entitled, menacing Walter White monologue as well. But in season two, Frank owned that moment alone, leaving Claire outside the door before claiming his place as commander in chief. Now, Frank and Claire are the ones who knock together. In a way, Claire doesn’t just break the fourth wall.
‘House of Cards’ Season 4, Episode 9: Convention Time - The New York Times
‘House of Cards’ Season 4, Episode 9: Convention Time.
Posted: Wed, 09 Mar 2016 08:00:00 GMT [source]
Also, when you know you’re right, there’s a different kind of resoluteness that happens to a person. Claire puts Ahmadi in front of a camera and the White House connects him with the terrorists. He initially asks them to let James Miller go, but then he does a quick turn. He shouts at the camera, telling them to get the video out there to the media and to kill James Miller if necessary. It’s a huge backfire, as the video makes its way to the media and the crisis escalates.
By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and to receive email from the Fandango Media Brands. Who can pass up an Amy Poehler and Tina Fey collab? The two comedy powerhouses teamed in 2015 for Sisters, their kooky tale of two siblings who endure the difficult experience of cleaning out their childhood home when their parents choose to sell the house. But it's not all crying over old boxes of stuffed animals and long-forgotten school...
It was the election-season curveball no one saw coming — and for once we’re not referring to Donald Trump. TVLINE | Do you think he spent that year-plus in prison thinking up ways to make Frank pay for what he did to Zoe? Again, when you know you’re right, you can’t just let it go. This is a system he worked at protecting and then he was brought down by it.
Having beaten all of his rivals, almost no one in his sphere seemed even worth engaging with; the season’s only interesting twists (the death of Rachel and the end of his marriage) were external to him. Plus, his new office conferred a bit of dignity on even the greatest charlatan who occupied it; House of Cards was too Presidential. What’s curious is just how relatable the Underwoods’ marriage really is. The difficulties that they encountered are familiar to most people, pressures of work, difficulty with family (particularly ancient in-laws) and a natural fading of the original spark. Marriage counsellors often recommend that couples seek the things that first brought them together, a shared interest, familiar places and so on.
Add to that the fact that an FBI raid on a cabin turns up nothing, and suddenly the Underwoods aren’t as in control as they thought. After Tom leaves, Frank finds out that the FBI has found the mother and daughter safe and sound. At the same time, Claire convinces Ahmadi to stay out of Guantanamo and chat with the terrorists about letting the last hostage, James Miller, go. Ahmadi is an unpredictable variable, but it’s all the White House has to offer at this point. By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.
In their ruthless rise to power, Frank and Claire battle threats past and present, and form new alliances while old ones succumb to betrayal. Betrayed by the White House, Congressman Frank Underwood embarks on a ruthless rise to power. Blackmail, seduction and ambition are his weapons.
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